Wonder Woman : The Complete Newspaper Strips, 1944-1945
by William Moulton
Marston and H. G. Peter
Edited & Designed by Dean Mullaney, Introduction by Joe Desris, Covers by Pete Poplaski.
The strip lasted a little more than a year and
a half — from May 1, 1944 until December 1, 1945 — and
is reprinted here for the first time. It all starts on Paradise
Island where Amazonian women rule supreme and no men are allowed.
Their way of life is about to change when when Steve Trevor, a
wounded American soldier, washes up on their shores. Soon, Princess
Diana of the Amazons—rechristened Wonder Woman—is off
to America, where the saga continues!
Oversized 11” x 8.5” full-color hardcover-with-dustjacket, 196 pp, $49.99. ISBN: 978-1-63140-028-5.
Wonder Woman TM and © DC
Popeye : The Classic Newspaper Comics by Bobby London, Volume Two: 1989-1992
When we say "complete," we mean COMPLETE! Bobby London's take on
the Sailor Man has often been overshadowed by his being fired from
the strip in 1992, ostensibly for presenting a storyline that was
an allegory about abortion. In that ultimate tale, Olive had become
addicted to the Home Shopping Network and ordered a Baby Brutus
mechanical doll. When Popeye insists that she get rid of the
"baby," two priests mistakenly believe that the baby is real and
that Olive is going exercise her pro-choice rights. King Features
Syndicate pulled the final three weeks of strips and daily
newspapers began running reprints. Story over in mid-stream.
Now, twenty-two years later, thanks to the kind cooperation of the good folks at King Features, those three weeks will be included in this second volume of our series. But wait…that's not all! Turns out that Bobby London produced an additional six weeks of strips beyond the three that were pulled from syndication! This book contains—for the first time anywhere—ALL NINE weeks of "censored" Bobby London Popeye strips. Trust us, it's worth the wait!
8.5” x 7.5”
B&W hardcover-with-dustjacket, 344 pp, $39.99.
Puck — What Fools These Mortals Be: The Story of Puck
by Michael Alexander
Kahn and Richard Samuel West
Foreword by Bill Watterson. Book design by Lorraine Turner and Dean Mullaney
A lavish coffee table book devoted to the most important political satire and cartoon magazine in American history. Published from 1877 to 1918, Puck was an American original—the country’s first and most successful humor magazine, the first magazine to publish color lithographs on a weekly basis, and for nearly forty years, a training ground and showcase for some of the country’s most talented cartoonists, led by its co-founder, Joseph Keppler.
The weekly journal’s deft caricatures and pointed commentary made it a political force to be reckoned with. It is credited with single-handedly thwarting the third-term ambitions of Ulysses S. Grant in 1880 and electing Grover Cleveland to the presidency in 1884—or at least, by its devastating “Tattooed Man” series, denying it to James G. Blaine.
And Puck did it with art—lavish color full-page and two-page centerspread cartoons. With nearly 300 color plates in an oversized 12" x 11" format, What Fools These Mortals Be is the first opportunity for many readers to see so many cartoons from Puck reproduced in color and at a large size.
Written and selected by Michael Alexander Kahn and Richard Samuel West with reproductions made from their unique collections and supplemented by the Library of Congress, this book is organized by subject matter, reflecting the most important issues of the day. Each cartoon is accompanied by an explanatory caption, placing the work in historical perspective. Many of the issues that dominated Puck’s pages more than one hundred years ago continue to dominate the political debate today.
During its illustrious career Puck
published more than two thousand numbered issues. When, after four
decades, it ceased publication, The Literary Digest
printed an appropriate epitaph: “Puck had no real
rival in its best days. Fallen from its fine estate, it has left no
Oversized 12" x 11"" hardcover with dustjacket, 328 pp., $59.99. ISBN: 978-1-63140-046-9.
Superman : Golden Age Sundays, 1946-1949
Edited & Designed by Dean Mullaney. Introduction by Mark Waid. Cover by Pete Poplaski.
This second book in our Superman
Sundays series collects nearly 170 sequential Sunday pages
that have never been reprinted. These classic comics, beginning
August 11, 1946 and continuing through October 16, 1949, fill
another major gap in the Superman mythos.
In a full eighteen adventures, Superman’s travels take him around the globe. as well as through time and space. The Man of Steel solves the case of the Curiosity Crimes, becomes a rival for Cleopatra’s affections in ancient Egypt, is exposed to radiation that turns him into Superbabe, battles a prehistoric animal called a “Paleomatzoball” (!), reprises the “Superman's Service to Servicemen” series with a couple of services for veterans, encounters an ancient civilization in the lost valley of Ru, meets up with Angus the talking dog, and to top it all off, witnesses Lois marrying Clark Kent—or does he?!
Superman was created in 1938 by two ambitious Cleveland youngsters, Joe Shuster and Jerry Siegel. Their defender of the oppressed became an enduring smash sensation in comics, radio, animation, television, and motion pictures. He remains the little guy's White Knight, battling terrestrial and extra-terrestrial menaces and standing for Truth, Justice, and the American Way.
Oversized 9.25" x 12"”
full-color hardcover-with-dustjacket, 184 pp,
Superman TM and © DC
Skippy Vol. 3: Complete Dailies 1931-1933
Edited by Jared Gardner and Dean Mullaney, Designed by Lorraine Turner, Biographical essay by Jared Gardner
2013 AND 2014 EISNER AWARD NOMINEE!!!
With the release of the Oscar-winning
Skippy movie in 1931, Percy Crosby had his biggest stage at
precisely the moment he was committing himself to bringing his
creative and political work together. Skippy suddenly was
everywhere and Crosby was determined to use his visibility and
influence as one of the most successful cartoonists of his
generation to transform a society in the grips of a deepening
Depression and the late years of the failed policy of Prohibition.
Like his beloved Skippy, Crosby had yet to back down from a fight,
no matter how daunting the opposition. This volume, reprinting all
dailies from 1931-1933, brings us to some of Percy Crosby’s
most inspired strips of Skippy’s long run. Bonus materials
include many photographs and rare artwork from the collection of
the cartoonist's daughter, Joan Crosby Tibbetts.
9.5" x 8.5" hardcover-with-dustjacket, 340 pp, ISBN: 978-1-63140-020-9, $49.99.
“A scintillating collection of the greatest children’s comic strip ever.” —The Washington Times
“One of the great, lost classics of the newspaper age. The best. Simply the best.” —The New York Journal of Books
Ripley's Believe It or Not! The Original Classic Cartoons Vol. 1: 1929-1930
Edited by Dean Mullaney. Designed by Lorraine Turner
This series begins a
chronological reprinting of Ripley’s famous daily cartoons in
hardcover collections, reminding us that first and foremost that
Robert Ripley—explorer, radio, movie and television
personality, entrepreneur and museum impresario—was an
The first volume reprises cartoons from 1929 and 1930, when Ripley’s fame raised him from relative obscurity to international celebrity, and includes bonus and background material from Ripley’s impressive archives.
Oversized 11" x 8.5"
hardcover, 272 pp, $39.99.